![]() ![]() For that disappointing feeling, I don't rate it very high, but this movie is definitely a good piece of artwork and is more interesting than most of what is to be seen nowadays. I eventually didn't understand where the film wanted take me. An imaginative and expertly-edited psychological thriller/meta exercise that dissolves the barrier between reality and fiction using a fantastic sound design. The atmosphere moves from light fun to disturbing fantasy with elegance. A truly outstanding atmosphere is obtained thanks to a really terrific sound editing. The imagination of the spectator is highly put to use compared to these days' standards. This counter-fashion idea clearly marks its distance from the recent escalation in the graphic horror genre cinema, which I find honorable. Mary Burke, Robin Gutch, Katherine Butler, Hugo Heppell, Keith Griffiths. As such, it offers a kind of pleasure that is rare in films, while recreating in a. But this is the 1970s and his new employers specialise in the ultra-low budget, ultra-violent and exploitative films of the countrys burgeoning. Here, at the height of giallo horror, cabbages become corpses, your own voice can be over. Berberian Sound Studio is many things: an anti-horror film, a stylistic tour de force, and a dream of cinema. Drama By Joel Horwood Director: Tom Scutt Cast includes: Tom Brooke, Eugenia Caruso, Enzo Cilenti, Lara Rossi, Loré Lixenberg, Luke Pasqualino. He has swapped the foley table of his garden shed for the glamour of the Berberian Sound Studio. Create New Part-psychological thriller and part-homage to cult Italian horror and the forgotten lore of analogue sound production, Berberian Sound Studio tells the story of Gilderoy ( Toby Jones ), a mild-mannered English sound engineer who's contracted to work in Rome on the sound effects to an Italian horror film. Despite its length at one hour and 40 minutes, no interval, Berberian Sound Studio would benefit from a second act that allows these narratives to play out more organically. The very exciting central concept of the film is to deal with graphical horror without showing any real violence on the screen. His work as a sound designer for Dorking-based nature documentaries has not gone unnoticed. It begins as an amusing comedy with a cast of characters gently mocking the 70's Italian machismo. A bit like Hélène Cattet & Bruno Forzani's "Amer" did, but in a more conventional, more "easy watching" way. Here, at the height of giallo horror, cabbages become corpses, your own voice can be over-dubbed and silence speaks louder than screams.This film is a pleasant homage to Italian giallo and to the under-recognized art of sound editing. He has swapped the foley table of his garden shed for the glamour of the Berberian Sound Studio. His work as a sound designer for Dorking-based nature documentaries has not gone unnoticed. Strickland’s nuanced, atmospheric, ambiguous movie transcends genre. ‘A remarkable achievement – richly textured… and occasionally mind expanding’īased on the original motion picture screenplay by Peter StricklandĬonceived for the stage by Joel Horwood and Tom Scutt Stricklands Berberian Sound Studio is one horror film that opts to skip the usual frolic among those metaphorical monsters in favor of a deeply unsettling dive into the subconscious. ![]() ‘Berberian Sound Studio is both a chiller about workplace crack-up and a wry critique of the genre’ ‘Tom Brooke is brilliant in Tom Scutt’s inspired production’ ![]()
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